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PREPARATION Melt 2 tablespoons butter in a large skillet over medium high heat. Add shrimp, salt and pepper, to taste. Cook, stirring occasionally, until pink, about 2-3 minutes; set aside. Add garlic to the skillet, and cook, stirring frequently, until fragrant, about 1 minute. Stir in chicken stock and lemon juice. Bring to a boil; reduce heat and simmer until reduced by half, about 1-2 minutes. Stir in remaining 6 tablespoons butter, 1 tablespoon at a time, until melted and smooth.
Stir in shrimp and gently toss to combine.
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11 Dec 2018 It so rarely happens that the final concert you are due to review of any year ends up being one of the finest of all. Santtu-Matias Rouvali’s all Richard Strauss programme with the Philharmonia Orchestra, however, was often quite remarkable - one might quibble that parts of it were somewhat controversial, and that he even lived a little dangerously, but the impact was never less than imaginative and vivid. This was a distinctly young man’s view of Strauss - and all the better for that. 25 Oct 2018 The full title of Verdi’s Messa da Requiem per l’anniversario della morte di Manzoni 22 maggio 1874 attests to its origins, but it was the death of Giacomo Rossini on 13th November 1868 that was the initial impetus for Verdi’s desire to compose a Requiem Mass which would honour Rossini, one of the figureheads of Italian cultural magnificence, in a national ceremony which - following the example of Cherubini’s C minor Requiem and Berlioz’s Grande messe des morts - was to be as much a public and political occasion as a religious one. 24 Oct 2018 The 67th Wexford Opera Festival kicked off with three mighty whacks of a drum and rooster’s raucous squawk, heralding the murderous machinations of the drug-dealing degenerate, Cim-Fen, in Franco Leoni’s one-act blood-and-guts verismo melodrama, L’oracolo alongside an announcement by the Minister for Culture, Heritage and the Gaeltacht, Josepha Madigan, of an award of €1 million in capital funding for the National Opera House to support necessary updating and refurbishment works over the next 3 years.
09 Sep 2018 Renaissance madrigals and twentieth-century social media don’t at first seem likely bed-fellows. However, Martin - the protagonist of The Second Violinist, a new opera by composer Donnacha Dennehy and librettist Enda Walsh - is, like the late sixteenth-century composer, Carlo Gesualdo, an artist with homicidal tendencies. And, Dennehy and Walsh bring music, madness and murder together in a Nordic noir thriller that has more than a touch of Stringbergian psychological anxiety, analysis and antagonism. 06 Sep 2018 Having recently recorded the role of Dido in Berlioz' Les Troyens on Warner Classics, there was genuine excitement at the prospect of hearing Joyce DiDonato performing Dido's death scene live at the BBC Proms. She joined John Eliot Gardiner and the Orchestre Revolutionaire et Romantique for an all-Berlioz Prom at the Royal Albert Hall on Wednesday 5 September 2018.
As well as the scene from Les Troyens, DiDonato sang La mort de Cleopatre and the orchestra performed the overture Le Corsaire and The Royal Hunt and Storm from Les Troyens, and were joined by viola player Antoine Tamestit for Harold in Italy. 27 Aug 2018 At the 2018 International Opera Awards, Irish-Canadian mezzo-soprano Wallis Giunta was named ‘Young Singer of the Year’, having been awarded the same title by The Arts Desk in 2017, a year which also saw her pick up the ‘Breakthrough Artist in UK Opera’ award at the What’s on Stage Opera Awards. At this Cadogan Hall lunchtime chamber recital she was making her Proms debut, and Giunta gave an assured, audience-winning performance which suggested that such accolades are more than deserved and that it won’t be long before she’s invited back. 26 Aug 2018 The Hollywood Reporter called it the greatest musical ever produced. Leonard Bernstein had expressed concerns about his first Broadway musical, writing to Aaron Copland, ‘Maybe it will be a great hit, and maybe it will lay the great egg of all time. It’s an enormous gamble’, but in the event, On the Town opened at Broadway’s Adelphi Theatre on 28th December 1944 to rave reviews and laid golden foundation stones for the career paths of its prodigious creators - Bernstein, choreographer Jerome Robbins and writers Adolph Green and Betty Comden, whose average age at the time was twenty-seven.
07 Aug 2018 The mood in the city is certainly soporific at the moment, as the blistering summer heat takes its toll and the thermometer shows no signs of falling. Fittingly, mezzo-soprano Dame Sarah Connolly and pianist Joseph Middleton presented a recital of English song settings united by the poetic themes of night, sleep, dreams and nightmares, juxtaposing masterpieces of the early-twentieth-century alongside new works by Mark-Anthony Turnage and Australian composer Lisa Illean, and two ‘long-lost’ songs by Britten. 02 Aug 2018 Should you not like eighteenth-century opera very much, if at all, and should you have no or little interest in Haydn either, this may have been the production for you.
The fundamental premise of Axel Ranisch’s staging of Orlando Paladino seems to have been that this was a work of little fundamental merit, or at least a work in a genre of little such merit, and that it needed the help of a modern medium - perhaps, it might even be claimed, an equivalent medium - to speak to a contemporary audience. 26 Jun 2018 In the second scene, ‘The Welcome’, of Benjamin Britten’s The Turn of the Screw, the Governess arrives at her employer’s country house, Bly, to take charge of her two new tutees, and sings, “Bly, I begin to love you For Bly is now my home”.
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Later, she declares, “I too am home. Alone, tranquil and serene.” It’s difficult to imagine a less homely, tranquil and serene dwelling place than the cracked and crooked glass-house which forms the single set for English National Opera’s new production of The Turn of the Screw, and which marks a new association between the company and Regent’s Park Open Air Theatre.